Haunt Me

Leave a “Haunt Me” in my ask, and I’ll write a drabble about a character watching over someone 

You didn’t specify, so I went with probably not what you had it mind! I hope you still enjoy it, and I apologize in advance for the rhymes.

_____

Minako could only anticipate so much. She’d had the hubris, once, to tell Pluto she was prepared for every possibility. Pluto had smiled, the way Pluto smiled that was more gutting than tears, and said she hadn’t.

And Pluto, of course, had been right.

Minako was prepared for war. She was prepared for destruction. For the dwindling of their humanity as they became gods. She’d thought through scenarios of their past taking over, their future vanishing, of their powers forsaking them at the worst moment.

She was not prepared for this.

A weak heart, the doctor had said.

Minako had nearly laughed in his face. No one who’d known Rei a good thirty seconds would call any part of her weak, and certainly not her stubborn, stupid heart.

“It’s consistent with her family history,” the doctor had said, more to the clipboard than to Minako. “If only we had caught it sooner.”

If only I had caught it sooner! It was stupid, not to think of it. To think that superpowers would steamroll all else. To think they were already gods enough to cheat their genes.

Rei lay quiet now, faded like a ghost, like she was already gone. Minako could not bring herself to go in, to hear the slow beeps that went with the lines on the machine she was hooked up to. She must hate it, all the wires. Any moment, she’d wake up and tell the nurses to stop wasting electricity.

Any moment.

Any moment.

Minako was supposed to keep them all safe. She was supposed to watch over them, she’d done everything, she thought, and yet…

She put her head against the glass. She’d relied on more eyes than just her own. Rei was how she saw, sometimes. They were partners, fitting together so fluidly sometimes it felt like they were a single body, filling each weakness with the other’s strength. How would Minako see now? How could she watch over them without her sight?

And who, now, would watch over Minako?

She felt a gentle hand on her shoulder. Pluto smiled at her once more. “There is still hope.”

“You sound like Usagi.” Minako wiped her face. “But you and me, we know how this ends, don’t we? Knowing isn’t the same as giving up.”

Pluto inclined her head in concession. “Acceptance is just as admirable.”

“I haven’t accepted it.” Minako made a fist against the glass. “I can’t accept it, not until I see.”

“We don’t really know then, do we?” Pluto put her hand next to Minako’s, not quite touching, and began to hum softly. The melody struck something deep in Minako’s soul, something old and sad and slow.

“A song for a vigil.”

“The language is lost now, even to me. I have sung for you many times, even as the words forsook me.”

“Do you remember what it meant?”

“Something like a light for ships in the harbor, and stars for ships at sea. I look out for those I love, and love looks after me.” She traced waves across the glass. “I do not know what future lies before us. But I will watch it come.”

Minako could not be sure if the later was part of the song, or Setsuna’s own sentiment. It wove into the song in her head anyway, and she began to hum along. A light for ships at harbor, stars for ships at sea. If you must go where I cannot, I’ll keep watch for thee.

She kept humming as she took her first steps into that sterile room, as she pulled a plastic chair up to Rei’s bedside. The papery sheets crinkled when she took her hand. I know not what lies before us, and may never understand. But I’ll watch it come beside you, we’ll face it hand in hand.

Ok this one is a lame au but the Outers show up in pgsm.

THIS ISN’T LAME THIS IS WONDERFUL TERRITORY AND I WENT
TOTALLY OFF THE RAILS, THE ENDING IS DISAPPOINTING BUT CHRIST I WROTE WAY TOO
MUCH.

  • I’m going to come from the second season angle, with the
    special act never happening. Also, I think there’s no Chibs in the PGSM-verse,
    because of Sailor Luna and also working in a world without the security of
    Crystal Tokyo is interesting.
  • So that puts us with a Pluto who has not known friendship,
    who never fought or died for a sweet little girl. She becomes Setsuna and
    everything is new, she gets to be with people for the first time.
  • Also, she’s aged down a bit. Only a little older than our
    main cast. She is so eager to befriend them and she doesn’t know how. And she
    knows she is supposed to be there to warn them, but she wants so badly to be
    loved by them that she frets over her approach and dreads their impression of
    her being such a bad omen.
  • Minako notices her, and confronts her, thinking she might be
    a fan going to far, showing up places they hang out and always looking a little
    too long. Setsuna transforms to assure her that’s not the case. She explains
    that there may be a time when additional soldiers are needed to destroy bigger
    threats.
  • She also asks that Minako keep her a secret from the others.
  • Minako agrees, but she knows what it’s like to take on the
    burden of duty and memory alone, so she invites Setsuna along to hang out with
    them.
  • (And as monster attacks start cropping up again, she makes
    sure Setsuna is able to sneak away quietly instead of transforming. There’s not
    yet anything they can’t handle on their own yet anyway.)
  • There’s a nice little subplot of Rei getting jealous of this
    new, beautiful older girl Minako is suddenly chummy with.
  • She swears she’s not jealous, she explains to Ami one night,
    it’s just that she used to be the one person Minako connected to, and now
    Setsuna’s new and shiny and she feels forgetten.
  • That’s jealousy, Ami says (she knows the feeling all too
    well), but what did you say about premonitions of doom?
  • Rei says it’s probably nothing. Ami takes note while Rei is
    focused on her definitely-not-jealousy.
  • Usagi, meanwhile, is causing Mamoru some
    definitely-not-jealousy as she spends time with a handsome stranger she met in
    a candy shop.
  • He of course doesn’t SAY anything, of course, but Usagi sees
    something is wrong and mopes around the karaoke bar trying to figure it out.
  • Mako has NO PATIENCE for Mamoru’s shit, so she barges over
    to his place to find out what’s wrong. He caves and she’s just like YOU’RE
    STUPID USAGI LOVES YOU. Also, I think Haruka is about as threatening to you as
    a teddy bear, she cries over every animal video Usagi shows her.
  • Oh, is all Mamoru can say, and then he pulls his head out of
    his ass.
  • We then get just fun scenes of the girls (including
    Setsuna!) hanging out with Haruka, trying on sunglasses, complaining about
    school, all the usual stuff. She and Mako play basketball. A good time is had
    by all.
  • Meanwhile, tho, the viewers get insight into the Death
    Buster’s plans. Tomoe and Kaolintie (the baddies are streamlined a bit) hatch
    daimons from various objects. They whisper about building up to hatching the
    most powerful daimon of all.
  • The daimons get more and more powerful, the girls fight more
    and more. One day they get attacked while hanging out, and in order to protect
    Haruka, Setsuna is forced to reveal herself. And when she transforms, she
    recognizes the hidden power of Uranus in Haruka.
  • The girls are surprised in the aftermath, but not shocked.
    Usagi is elated that both her new friends are senshi. She offers her hand to
    Haruka, eager to see her transform for the first time…
  • And is blown away by a blast of power.
  • “That girl will not become a senshi,” says a voice from the shadows.
    “You will not lead her down this path.”
  • The audience sees a shot of green hair, a glint of a mirror.
  • “We need her to awaken the messiah, should the need arise.”
    Setsuna says. She touches the garnet orb on her staff.
  • “Then the need shall not arise,” says the mysterious
    soldier. “If she is with you, she is protected, is she not?”
  • Haruka wants to join the fight, but something holds her
    back. And when she asks, later, Minako is honest. Duty is hard. Duty is
    painful. Whoever the mysterious soldier is, she is not wrong. Whatever reasons
    she has for protecting Haruka may be valid.
  • Rei, meanwhile, is not content to be left wondering. She
    goes to her fires with a question, and they give her an answer. The next day
    she tracks down the young heiress Michiru Kaioh.
  • “I know who you are,” she says, but Michiru does not falter.
    “And I know who you are, Mars. I know what you have seen. Pluto is wrong. When
    we three awaken we bring destruction. I will not let that girl face that.”
  • “What is she to you?”
  • Michiru freezes. “Everything. But I am nothing to her.” And
    she takes her leave.
  • There’s several episodes of Haruka agonizing and the girls
    fighting and Neptune watching from the shadows and Rei being weird about
    Setsuna and Minako and trying to decide if she’s relieved or more threatened by
    the fact that she’s a soldier.
  • And finally one episode ends with a scared little girl looking
    into Tomoe’s laboratory, with more ominous talk of The Most Powerful Daimon.
  • We follow this little girl, Hotaru, next episode, see her go
    to school and be picked on for being sickly, see her avoid going home. She
    meets Haruka, who asks if she’s lost. She says no, but when Haruka asks if she’d
    like to be walked home because it’s getting dark, she nods and takes her hand.
  • Of course, a powerful daimon attacks them.
  • Neptune appears seemingly out of nowhere to fight it. “Run,”
    she spits, and Haruka picks up Hotaru and tries but a second daimon appears. “Forget
    the girl and run!”
  • Haruka, of course, cannot, and if she cannot run, she must
    fight.
  • The power explodes out of her and she transforms. Michiru
    watches in despair.
  • Uranus immediately kills the monster she faces with her
    sword, and turns to make sure Hotaru is okay.
  • But Hotaru’s glowing purple, and in a voice not her own she
    demands the third. Where is it? She needs the third.
  • Michiru drops her transformation, and yells at Haruka to do
    the same. Hotaru returns to normal with no memory of what happened.
  • “The three of us must never be transformed in the same
    place,” Michiru says quietly. “Lest the messiah of silence awaken.”
  • “You don’t have to be alone though,”Haruka says. (She
    carries Hotaru, who has fallen asleep, on her back.
  • Michiru insists it’s too risky. She would rather Haruka stay
    safe, but Haruka smiles and says she’s in this now. She asks why Michiru cares
    so much, and she avoids the question.
  • All the senshi, minus Michiru, have a meeting in the karaoke
    parlor. Rei states what she knows, and so does Haruka. The incident with Hotaru
    worries Pluto. She explains that the three of them are supposed to call forth
    the holy grail, which empowers Serenity.
  • Usagi quietly says that every power that can do good can do
    bad just as easily.
  • It silences them all for a long moment. Then Haruka suggests
    that Hotaru seems troubled, and maybe the best option would be to find out more
    about what might be going on.
  • They form a plan. Ami signs up to be a tutor at Hotaru’s
    elementary school. She meets Hotaru, but learns nothing. Hotaru is troubled by
    bullying, that is clear, but there’s something deeper Ami can see but can’t
    define.
  • Then, without notice because she’s not one to be behind the
    scenes, MINAKO AINO makes a surprise visit to the elementary school! All of the
    kids go nuts, asking for autographs and songs, but Hotaru hangs back. Ami takes
    her chance and asks Hotaru what’s wrong. She’s been bullied too, she assures
    her, and she won’t tell anyone anything Hotaru says.
  • Hotaru is painfully ready to trust people. She tells Ami her
    mother died, but now her father has brought home a woman and the woman won’t
    leave. Ami nods, thinking it’s a stepmother situation, but then Hotaru whispers
    that they spend all their time in the basement laboratory, saying things that
    scare her, and sometimes she wakes up at night sure someone has been in her
    room.
  • There’s whispers in her dreams, words she doesn’t understand.
    Daimons. Does Ami know what a daimon is?
  • Ami lies and says no. As soon as she can, she takes out her
    phone and makes a call.
  • Haruka, luckily, knows where Hotaru’s house is from walking
    her home. The two of them expect to do a stealth attack (figuring there is no
    time to gether the others), but Kaolinite knows Hotaru has talked. She meets
    them at the door and announces they are too late.
  • She turns and shoves Hotaru forward, announcing the most
    powerful daimon is complete.
  • The wind rises around Hotaru. Haruka whispers that this isn’t
    how she went strange before.
  • Michiru runs past everyone, untransformed. As she is about
    to throw herself on Hotaru, Haruka grabs her arm. “What are you doing?”
  • “Killing the girl will save us all.”
  • “How can you say that? She’s a child.”
  • The fight is cut short by Hotaru hatching into Mistress
    Nine.
  • The being that was once the little girl Hotaru looks at her
    hands, shrieking with laughter at the joy of being alive. The sky darkens above
    her. She smiles before lashing out.
  • Michiru shields Haruka from the blow, looking so small in
    comparision to tall, transformed Uranus.
  • Mistress Nine knocks back Mercury, declaring them not worth
    the fight. She calls for Tomoe and Kaolinite, declaring that they must protect
    her, they’ve brought her into a body still to frail to handle her power. She
    cannot yet call Pharoh 90.
  • And then Hotaru collapses, a girl once again. Tomoe and
    Kaolinite take her up and disappear.
  • There’s a few quieter episodes. Haruka visits Michiru in the
    hospital, and Michiru confesses everything. How her visions had led her to
    Haruka, and while she’d already planned on stopping her from awakening, the
    more she watched, the more she wanted to protect Haruka’s smile. It wouldn’t be
    fair if Haruka had to face a soldier’s life. She never wanted Haruka to face
    down killing a little girl for the sake of the world.
  • Once she’s out, everyone comes together. Setsuna somberly
    announces her thoughts—based on what Haruka saw, Hotaru bears the soul of
    Saturn, the soldier of destruction. Michiru agrees, stating the extent of her
    visions. She’s seen that they are between a rock and a hard place—destruction by
    Saturn or destruction by Pharoh 90.
  • Setsuna sees things differently. Saturn’s power razes the earth
    as a fire might raze a crop, ensuring the soil is renewed so that it can grow
    back stronger. Destruction by the likes of Pharoh 90 is a plague, poisoning the
    earth so that nothing shall rise up in its wake.
  • They should awaken Saturn to force out Mistress Nine.
  • Minako agrees. Rei very emphatically does not. They have
    fought for their lives. This life. She’s not prepared to sacrifice it. She and
    Minako fall into old patterns of subordination and accusations of being bad
    soldiers.
  • Usagi stops them. They will awaken Saturn. But she will stop
    the destruction. She will not hear that it’s not how it works.
  • They draw out Mistress Nine once more, and this time she is successful
    in calling to her master. Pharoh 90 appears in the sky, slowly descending to
    consume the earth.
  • The soldiers worry they are too late, but they follow the
    plan.
  • The Outers all transform, and Mistress Nine begins to morph.
    There is a war inside Hotaru’s body, and Saturn wins.
  • She raises her glaive to reset, but Princess Sailor Moon
    steps up, blocking the glaive with her sword.
  • “I will not allow destruction of things I love.”
  • “You are too late. I will birth this world anew. I am
    destruction incarnate.”
  • “So was I, once.” Usagi fades into her regular Sailor Moon
    form. The Holy Grail appears before her, and she takes it. “We don’t have to be
    the things we were made for.” The grail opens and light washes over her. She
    has become Super Sailor Moon. “I destroyed my kingdom in pain, and I was wrong.”
  • “I am not motivated by pain, only duty.”
  • “A very good friend of mine felt the same, once. But she
    found out duty isn’t all there is.”
  • “There’s nothing else for me!” Saturn yells, sounding much
    more like Hotaru. “This is something I can do, this is the only thing that’s
    right!”
  • “No, we can do something else, together.” Usagi holds out her
    hand, and Hotaru takes it, just as she took Haruka’s hand before. Together they
    face Pharoh 90, the power of Super Sailor Moon lifting them up to meet him. They
    disappear to fight him from the inside.
  • Usagi emerges, the holy grail cracked in two at her feet,
    and Hotaru, once again an ordinary little girl, in her arms.

What’s your thoughts on a Beryl & Pluto friendship

YooooooooooooooOOOOOOOOOoo

Listen that one scene in eien densetsu is killer but also like holy shit can they form the #SerenityWasWrong club!? Because like, both of them watched the consequences of her actions unravel kingdoms and like, they come from different angles but they can’t deny they have that in common and they aRE HURT. Pluto had to watch everything she knew crumble from afar and Beryl had to watch from the battlefield, she fought and saw everything slip through her fingers.

And then here they are, second chances abound, but how do they move on after that? How do they say well okay everything was destroyed but the past is the past?? They are the only two who really understand (Minako remembers, but she is Minako AND Venus, what she knows gets a new context in this life)

And so like, picture beryl ready to put her planet above her vengeance, but unsure of how to move on from her hatred, and Pluto unsure if guarding the royal family that led things so wrong before, meeting and recognizing themselves in one another, and trying to connect, maybe they thrift shop together because they both have a love for things that survived time, and they slowly help each other find way to exist in the now and just. Yessssssss

I feel like, realistically, Setsuna, Haruka, and Michiru (the later of whom are teens if we take canon at its word) would be a huge mess, with the “division” something like

-Setsuna has had zero interaction with people in general for who knows how many thousand years, her one point of reference for children is ChibiUsa and she is secretly devastated when Hotaru doesn’t respond with the same affection over songs and stories.

-Haruka is constantly two steps behind Hotaru’s rapid and erratic aging, she tries so hard but Hotaru is now the equivalent of eight and does not want to watch Sesame Street with Papa. Haruka is outwardly devastated. But she tries to be ~the cool parent~ still and offers pizza and candy for dinner. Or anything Hotaru likes, she’ll learn to cook it JUST PLEASE LOVE HER.

-Michiru is calling in a nanny, and also funding the whole enterprise. Tragically, she’s the one Hotaru shows the most affection for.