Netflix Adapting Lemony Snicket’s ‘A Series Of Unfortunate Events’ As Series

lemonysnicketlibrary:

After bursting onto the original series scene with premium cable caliber adult fare like House of Cards and Orange Is the New Black,Image (1) netflix_logo__121008075714-200x92__130701074658__131213153919.gif for post 651962Netflix is entering a new area — live-action family entertainment. On the heels of picking up Awesomeness TV’s live-action comedy Richie Rich, the streaming company has acquired the rights to the best-selling series of books, A Series of Unfortunate Events by Lemony Snicket, with plans to adapt them as a live-action series. Search is underway for a director to help recreate Snicket’s visual world on TV. Netflix is producing the project, which is being fast-tracked, with Paramount Television. Paramount was behind the 2004 movie starring Jim Carrey, which grossed $209 million.

On the search for fantastic material that appeals to both parents and kids, the first stop for generations of readers is A Series of Unfortunate Events, “ said Cindy Holland, VP, Original Content for Netflix. “The world created by Lemony Snicket is unique, darkly funny, and relatable. We can’t wait to bring it to life for Netflix members.”

A_Series_Of_Unfortunate_Events_posterNarrated by Snicket, A Series of Unfortunate Eventsrecounts the tale of the orphaned children Violet, Klaus and Sunny Baudelaire at the hands of the villainous Count Olaf, as they face trials and tribulations, misfortunes, and an evil uncle in search of their fortune, all in their quest to uncover the secret of their parents’ death. The 13 books in the series have sold more than 65 million copies and have been translated into 43 languages.

“I can’t believe it,” Snicket said, from an undisclosed location. “After years of providing top-quality entertainment on demand, Netflix is risking its reputation and its success by associating itself with my dismaying and upsetting books.” Netflix went on to say that “Mr. Snicket’s participation will be limited, given his emotional distress, but the project has the full involvement of his legal, literary and social representative Daniel Handler, who is often mistaken for him.”

Lemony Snicket, of course is the pen name used by novelist Handler in several children’s books. Snicket’s new book is Shouldn’t You Be in School?, the third volume of the autobiographical “All The Wrong Questions.” Handler’s next novel for adults isWe Are Pirates. He will host the National Book Awards this November in New York next month.

Netflix’s family-oriented originals include a slew of animated series, mostly from DreamWorks Animation — including Turbo FAST and the upcoming The Adventures of Puss In Boots — as well as Ever After High.

Netflix Adapting Lemony Snicket’s ‘A Series Of Unfortunate Events’ As Series

Young Wizards 30 Day OTP Challenge, day 15: In A Different Clothing Style

dduane:

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The staging room is two flights up from where something like three hundred people are crammed wall to wall into the downstairs space of the Liberty Bounds pub on Trinity Square at the City’s edge, drinking strange liquids with names like Old Speckled Hen and Waggle Dance and Theakston’s Old Peculier out of pint glasses, while pausing occasionally to roar in annoyance or cheer in wild approval at something happening on the big-screen TVs. The third-floor upstairs room, however, contains nothing but a scatter of hardwood tables and chairs, and its mostly bare walls are ornamented with nothing more interesting than a selection of framed eighteenth-century cartoon prints and various posters advertising guest beers, upcoming karaoke nights, curry days and eighties revival-band dates, and other locations in the UK’s big Wetherspoon pub chain.

In the middle of the room, some of the the tables and chairs have been pushed out of the way to make an empty area about twenty feet wide. In that space stand three people unusually dressed for the early twenty-first century: two men in their very early forties, and a tall young man of sixteen or so. In the middle of the room with them, a rectangular slice of air about three feet wide and seven feet high has been talked into solidity and coaxed into the perfect reflectivity of a mirror.

The youngest of the group in the middle of the room is standing in front of the wizardly mirror and muttering under his breath, more or less constantly, as he fiddles with his clothes. At last he says loudly enough to be heard, “You think they had a higher than usual percentage of wizards in the late eighteen hundreds?”

A pause. “Haven’t seen any numbers on that recently,” says Carl under his breath as he buttons up his dark close-fitting vest over a full-sleeved white shirt with high collar and strangely-knotted dark tie. “Can’t think why the stats would be above the planetary half-millennial median, though. Why?”

“Because it has to have taken wizardry to deal with all… these… fastenings!”

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