Your Outers in PGSM was amazing! I had a thought. What if, to wrap a touch of R into S, *Michiru* was from the future? We never learn what the future is like or what happens, only that something went wrong? (And was it everything? Or was it *just* Haruka dying?) Most everything else stays the same, where Michiru is trying to save Haruka from herself and all that jazz. I actually had the thought when I saw your second part and hadn’t even seen the first yet but I think it could still fit.

AHHH I LOVE THIS YOURE A GENIUS

I have this image of Haruka dying as the world’s about to end and Michiru just grabbing a time key off Pluto and running. And she’ll sacrifice Haruka knowing her to save her. (And if it saves the world too well, that’s fine but it’s hardly her goal)

After yesterday’s ridiculously long post about the outers in PGSM,
I’ve been thinking about transformation sequences, because WHY NOT.

Each
of the Talisman holders start their transformation with a shot of their
hand grabbing their talisman (we of course get the obligatory Gotta
Sell Nailpolish shot) and the glove forming about that hand as they
grip.

Pluto gets an extra little lead in of the Time Doors opening
to reveal the Garnet Rod. Throughout her sequence there’s a motif of
keys, chains, and clocks, the way Rei’s has flower petals and Mina’s has
ribbons and dancing girls. One of the chains bears keys circles down
her body to bring on her fuku, and part of it remains at her hip to give
her access to her time keys. She takes one off that grows to become her
staff, which she pulls the Garnet Rod onto. As it clicks into place,
her hair changes and she is complete.

Neptune’s plays a lot
with the mirror. She waves it over her body to reveal her fuku, we look
into it and see a shot of the sea fade into her wavy green hair, which
then the real Neptune has. Despite that, the impression of the
transformation is not frivolity or vanity. After her hair changes, she
looks from the mirror to the viewer with intensity, as though she may
attack at any moment, and her tiara forms. She stays facing the viewer
for her end pose, composed but ready to lash out.

Uranus’s
transformation is bright and fun and cocky. She takes her sword and
slashes at the screen to reveal her fuku. She slices at her own hair to
turn it blonde. She’s aggressive, but kind of goofy at the same time. At
some point she winks at the camera while spinning her sword on one
finger. It ends with her standing proud and eager.

Ok this one is a lame au but the Outers show up in pgsm.

THIS ISN’T LAME THIS IS WONDERFUL TERRITORY AND I WENT
TOTALLY OFF THE RAILS, THE ENDING IS DISAPPOINTING BUT CHRIST I WROTE WAY TOO
MUCH.

  • I’m going to come from the second season angle, with the
    special act never happening. Also, I think there’s no Chibs in the PGSM-verse,
    because of Sailor Luna and also working in a world without the security of
    Crystal Tokyo is interesting.
  • So that puts us with a Pluto who has not known friendship,
    who never fought or died for a sweet little girl. She becomes Setsuna and
    everything is new, she gets to be with people for the first time.
  • Also, she’s aged down a bit. Only a little older than our
    main cast. She is so eager to befriend them and she doesn’t know how. And she
    knows she is supposed to be there to warn them, but she wants so badly to be
    loved by them that she frets over her approach and dreads their impression of
    her being such a bad omen.
  • Minako notices her, and confronts her, thinking she might be
    a fan going to far, showing up places they hang out and always looking a little
    too long. Setsuna transforms to assure her that’s not the case. She explains
    that there may be a time when additional soldiers are needed to destroy bigger
    threats.
  • She also asks that Minako keep her a secret from the others.
  • Minako agrees, but she knows what it’s like to take on the
    burden of duty and memory alone, so she invites Setsuna along to hang out with
    them.
  • (And as monster attacks start cropping up again, she makes
    sure Setsuna is able to sneak away quietly instead of transforming. There’s not
    yet anything they can’t handle on their own yet anyway.)
  • There’s a nice little subplot of Rei getting jealous of this
    new, beautiful older girl Minako is suddenly chummy with.
  • She swears she’s not jealous, she explains to Ami one night,
    it’s just that she used to be the one person Minako connected to, and now
    Setsuna’s new and shiny and she feels forgetten.
  • That’s jealousy, Ami says (she knows the feeling all too
    well), but what did you say about premonitions of doom?
  • Rei says it’s probably nothing. Ami takes note while Rei is
    focused on her definitely-not-jealousy.
  • Usagi, meanwhile, is causing Mamoru some
    definitely-not-jealousy as she spends time with a handsome stranger she met in
    a candy shop.
  • He of course doesn’t SAY anything, of course, but Usagi sees
    something is wrong and mopes around the karaoke bar trying to figure it out.
  • Mako has NO PATIENCE for Mamoru’s shit, so she barges over
    to his place to find out what’s wrong. He caves and she’s just like YOU’RE
    STUPID USAGI LOVES YOU. Also, I think Haruka is about as threatening to you as
    a teddy bear, she cries over every animal video Usagi shows her.
  • Oh, is all Mamoru can say, and then he pulls his head out of
    his ass.
  • We then get just fun scenes of the girls (including
    Setsuna!) hanging out with Haruka, trying on sunglasses, complaining about
    school, all the usual stuff. She and Mako play basketball. A good time is had
    by all.
  • Meanwhile, tho, the viewers get insight into the Death
    Buster’s plans. Tomoe and Kaolintie (the baddies are streamlined a bit) hatch
    daimons from various objects. They whisper about building up to hatching the
    most powerful daimon of all.
  • The daimons get more and more powerful, the girls fight more
    and more. One day they get attacked while hanging out, and in order to protect
    Haruka, Setsuna is forced to reveal herself. And when she transforms, she
    recognizes the hidden power of Uranus in Haruka.
  • The girls are surprised in the aftermath, but not shocked.
    Usagi is elated that both her new friends are senshi. She offers her hand to
    Haruka, eager to see her transform for the first time…
  • And is blown away by a blast of power.
  • “That girl will not become a senshi,” says a voice from the shadows.
    “You will not lead her down this path.”
  • The audience sees a shot of green hair, a glint of a mirror.
  • “We need her to awaken the messiah, should the need arise.”
    Setsuna says. She touches the garnet orb on her staff.
  • “Then the need shall not arise,” says the mysterious
    soldier. “If she is with you, she is protected, is she not?”
  • Haruka wants to join the fight, but something holds her
    back. And when she asks, later, Minako is honest. Duty is hard. Duty is
    painful. Whoever the mysterious soldier is, she is not wrong. Whatever reasons
    she has for protecting Haruka may be valid.
  • Rei, meanwhile, is not content to be left wondering. She
    goes to her fires with a question, and they give her an answer. The next day
    she tracks down the young heiress Michiru Kaioh.
  • “I know who you are,” she says, but Michiru does not falter.
    “And I know who you are, Mars. I know what you have seen. Pluto is wrong. When
    we three awaken we bring destruction. I will not let that girl face that.”
  • “What is she to you?”
  • Michiru freezes. “Everything. But I am nothing to her.” And
    she takes her leave.
  • There’s several episodes of Haruka agonizing and the girls
    fighting and Neptune watching from the shadows and Rei being weird about
    Setsuna and Minako and trying to decide if she’s relieved or more threatened by
    the fact that she’s a soldier.
  • And finally one episode ends with a scared little girl looking
    into Tomoe’s laboratory, with more ominous talk of The Most Powerful Daimon.
  • We follow this little girl, Hotaru, next episode, see her go
    to school and be picked on for being sickly, see her avoid going home. She
    meets Haruka, who asks if she’s lost. She says no, but when Haruka asks if she’d
    like to be walked home because it’s getting dark, she nods and takes her hand.
  • Of course, a powerful daimon attacks them.
  • Neptune appears seemingly out of nowhere to fight it. “Run,”
    she spits, and Haruka picks up Hotaru and tries but a second daimon appears. “Forget
    the girl and run!”
  • Haruka, of course, cannot, and if she cannot run, she must
    fight.
  • The power explodes out of her and she transforms. Michiru
    watches in despair.
  • Uranus immediately kills the monster she faces with her
    sword, and turns to make sure Hotaru is okay.
  • But Hotaru’s glowing purple, and in a voice not her own she
    demands the third. Where is it? She needs the third.
  • Michiru drops her transformation, and yells at Haruka to do
    the same. Hotaru returns to normal with no memory of what happened.
  • “The three of us must never be transformed in the same
    place,” Michiru says quietly. “Lest the messiah of silence awaken.”
  • “You don’t have to be alone though,”Haruka says. (She
    carries Hotaru, who has fallen asleep, on her back.
  • Michiru insists it’s too risky. She would rather Haruka stay
    safe, but Haruka smiles and says she’s in this now. She asks why Michiru cares
    so much, and she avoids the question.
  • All the senshi, minus Michiru, have a meeting in the karaoke
    parlor. Rei states what she knows, and so does Haruka. The incident with Hotaru
    worries Pluto. She explains that the three of them are supposed to call forth
    the holy grail, which empowers Serenity.
  • Usagi quietly says that every power that can do good can do
    bad just as easily.
  • It silences them all for a long moment. Then Haruka suggests
    that Hotaru seems troubled, and maybe the best option would be to find out more
    about what might be going on.
  • They form a plan. Ami signs up to be a tutor at Hotaru’s
    elementary school. She meets Hotaru, but learns nothing. Hotaru is troubled by
    bullying, that is clear, but there’s something deeper Ami can see but can’t
    define.
  • Then, without notice because she’s not one to be behind the
    scenes, MINAKO AINO makes a surprise visit to the elementary school! All of the
    kids go nuts, asking for autographs and songs, but Hotaru hangs back. Ami takes
    her chance and asks Hotaru what’s wrong. She’s been bullied too, she assures
    her, and she won’t tell anyone anything Hotaru says.
  • Hotaru is painfully ready to trust people. She tells Ami her
    mother died, but now her father has brought home a woman and the woman won’t
    leave. Ami nods, thinking it’s a stepmother situation, but then Hotaru whispers
    that they spend all their time in the basement laboratory, saying things that
    scare her, and sometimes she wakes up at night sure someone has been in her
    room.
  • There’s whispers in her dreams, words she doesn’t understand.
    Daimons. Does Ami know what a daimon is?
  • Ami lies and says no. As soon as she can, she takes out her
    phone and makes a call.
  • Haruka, luckily, knows where Hotaru’s house is from walking
    her home. The two of them expect to do a stealth attack (figuring there is no
    time to gether the others), but Kaolinite knows Hotaru has talked. She meets
    them at the door and announces they are too late.
  • She turns and shoves Hotaru forward, announcing the most
    powerful daimon is complete.
  • The wind rises around Hotaru. Haruka whispers that this isn’t
    how she went strange before.
  • Michiru runs past everyone, untransformed. As she is about
    to throw herself on Hotaru, Haruka grabs her arm. “What are you doing?”
  • “Killing the girl will save us all.”
  • “How can you say that? She’s a child.”
  • The fight is cut short by Hotaru hatching into Mistress
    Nine.
  • The being that was once the little girl Hotaru looks at her
    hands, shrieking with laughter at the joy of being alive. The sky darkens above
    her. She smiles before lashing out.
  • Michiru shields Haruka from the blow, looking so small in
    comparision to tall, transformed Uranus.
  • Mistress Nine knocks back Mercury, declaring them not worth
    the fight. She calls for Tomoe and Kaolinite, declaring that they must protect
    her, they’ve brought her into a body still to frail to handle her power. She
    cannot yet call Pharoh 90.
  • And then Hotaru collapses, a girl once again. Tomoe and
    Kaolinite take her up and disappear.
  • There’s a few quieter episodes. Haruka visits Michiru in the
    hospital, and Michiru confesses everything. How her visions had led her to
    Haruka, and while she’d already planned on stopping her from awakening, the
    more she watched, the more she wanted to protect Haruka’s smile. It wouldn’t be
    fair if Haruka had to face a soldier’s life. She never wanted Haruka to face
    down killing a little girl for the sake of the world.
  • Once she’s out, everyone comes together. Setsuna somberly
    announces her thoughts—based on what Haruka saw, Hotaru bears the soul of
    Saturn, the soldier of destruction. Michiru agrees, stating the extent of her
    visions. She’s seen that they are between a rock and a hard place—destruction by
    Saturn or destruction by Pharoh 90.
  • Setsuna sees things differently. Saturn’s power razes the earth
    as a fire might raze a crop, ensuring the soil is renewed so that it can grow
    back stronger. Destruction by the likes of Pharoh 90 is a plague, poisoning the
    earth so that nothing shall rise up in its wake.
  • They should awaken Saturn to force out Mistress Nine.
  • Minako agrees. Rei very emphatically does not. They have
    fought for their lives. This life. She’s not prepared to sacrifice it. She and
    Minako fall into old patterns of subordination and accusations of being bad
    soldiers.
  • Usagi stops them. They will awaken Saturn. But she will stop
    the destruction. She will not hear that it’s not how it works.
  • They draw out Mistress Nine once more, and this time she is successful
    in calling to her master. Pharoh 90 appears in the sky, slowly descending to
    consume the earth.
  • The soldiers worry they are too late, but they follow the
    plan.
  • The Outers all transform, and Mistress Nine begins to morph.
    There is a war inside Hotaru’s body, and Saturn wins.
  • She raises her glaive to reset, but Princess Sailor Moon
    steps up, blocking the glaive with her sword.
  • “I will not allow destruction of things I love.”
  • “You are too late. I will birth this world anew. I am
    destruction incarnate.”
  • “So was I, once.” Usagi fades into her regular Sailor Moon
    form. The Holy Grail appears before her, and she takes it. “We don’t have to be
    the things we were made for.” The grail opens and light washes over her. She
    has become Super Sailor Moon. “I destroyed my kingdom in pain, and I was wrong.”
  • “I am not motivated by pain, only duty.”
  • “A very good friend of mine felt the same, once. But she
    found out duty isn’t all there is.”
  • “There’s nothing else for me!” Saturn yells, sounding much
    more like Hotaru. “This is something I can do, this is the only thing that’s
    right!”
  • “No, we can do something else, together.” Usagi holds out her
    hand, and Hotaru takes it, just as she took Haruka’s hand before. Together they
    face Pharoh 90, the power of Super Sailor Moon lifting them up to meet him. They
    disappear to fight him from the inside.
  • Usagi emerges, the holy grail cracked in two at her feet,
    and Hotaru, once again an ordinary little girl, in her arms.

What she says: I’m fine.
What she means: PGSM is so grossly underrated and it makes me sick because it explores so many interesting things and dynamics of the SM Universe. It took the time develope the bond between the Senshi individually and was not afraid to make changes to the storyline like making Princess Serenity a villain. It wasn’t Usagi centric and every Senshi had something to struggle with. The girls were also saving each other instead of Usagi just saving everyone and each Senshi had a different relationship with each other, like Rei being the closest to Minako and those two pretty much being in love w each other, Ami being kinda in love with Usagi and having a conflict with Naru, Motoki and Mako being cute, Mako and Rei not hitting off that well, etc. It also explored their family dynamics like Rei and her father and Ami and her mother. It’s also the only version that cared about the Shitennou and showed them as Endymions guardians and friends and developed them as characters and made them interesting and didn’t put them in some kind of bullshit shitty romance. There is so much genuine love in PGSM and a large part of the fandom dismisses it just because of plush cats and bad CGI effects.