sittingoverheredreaming:

Fun concept: In truly dire circumstances, each senshi can open themselves to be a full channel for their element to eliminate a threat, leaving nothing but lingering traces of their powers behind

Mars is a fire bomb that dwindles to embers that take days to go out, Mercury a persistent mist. After her explosion, Jupiter is static that sparks between tree branches as though they are exposed wires. Neptune is and always has been the sea, Uranus sand in the wind.

But Venus is always left standing, because love endures.

Mars went first, of course she did. “Protect the princess!” She’d yelled, and then there was only flame. The flame of Mars, which showed no future but death. They’d taken her embers to the shrine and prayed it was the end.

But it wasn’t, how could it be? One by one. They gave their all and died for it, and now Uranus crumbled to sand in Mina’s arms, scattering in the wind to make her way to Neptune’s sea. Only Mina and Usagi remained, the general and her princess, and if it had to be the princess, alone and safe, so be it. Venus would do her duty. Venus held out to try every possibility, Venus had to be the last one standing. “You will protect her,” that Queen had said in a life long past. “At the expense of others first, and then yourself. You will protect her. You will love her for all of time.”

And she had, and now there was no way forward but to open herself as everyone else had, let power overtake her unto destruction. She stood before her princess and felt a warmth grow inside her. Love was not soft, it was not kind. It would not stand idly by while that which birthed it fell. Love was passion, love was wisdom, love was bravery. Love was the embrace of the sea and the ground on which you made your stand. Love was everything the others had to give and more.

“Love will be your death!” And it coursed through her, her skin aglow, body rigid and lousy with power. But a sweep of her hand and the enemies fell. She approached the source and light pooled at her feet in every step. Minako threw out her arms for the final blow, her hair blew out behind her and the world went gold, pure light and power bursting from her.

It is finished, she thought as the enemy screamed and the cold rushed back in. My duty is done.

But the cold remained. She opened her eyes. Her body stood where there should only have been light; she’d wondered, as the time had approached, how her soul would linger. A glimmer of sunlight despite the clouds, perhaps, or merely a feeling that would draw in young lovers.

It was not any of those things. Usagi looked at her with tearful, disbelieving eyes.

You will love her for all of time.

Love was a curse. Love was an undying force.

Love was Venus.

And so Venus remained.

Fun concept: In truly dire circumstances, each senshi can open themselves to be a full channel for their element to eliminate a threat, leaving nothing but lingering traces of their powers behind

Mars is a fire bomb that dwindles to embers that take days to go out, Mercury a persistent mist. After her explosion, Jupiter is static that sparks between tree branches as though they are exposed wires. Neptune is and always has been the sea, Uranus sand in the wind.

But Venus is always left standing, because love endures.

Ok this one is a lame au but the Outers show up in pgsm.

THIS ISN’T LAME THIS IS WONDERFUL TERRITORY AND I WENT
TOTALLY OFF THE RAILS, THE ENDING IS DISAPPOINTING BUT CHRIST I WROTE WAY TOO
MUCH.

  • I’m going to come from the second season angle, with the
    special act never happening. Also, I think there’s no Chibs in the PGSM-verse,
    because of Sailor Luna and also working in a world without the security of
    Crystal Tokyo is interesting.
  • So that puts us with a Pluto who has not known friendship,
    who never fought or died for a sweet little girl. She becomes Setsuna and
    everything is new, she gets to be with people for the first time.
  • Also, she’s aged down a bit. Only a little older than our
    main cast. She is so eager to befriend them and she doesn’t know how. And she
    knows she is supposed to be there to warn them, but she wants so badly to be
    loved by them that she frets over her approach and dreads their impression of
    her being such a bad omen.
  • Minako notices her, and confronts her, thinking she might be
    a fan going to far, showing up places they hang out and always looking a little
    too long. Setsuna transforms to assure her that’s not the case. She explains
    that there may be a time when additional soldiers are needed to destroy bigger
    threats.
  • She also asks that Minako keep her a secret from the others.
  • Minako agrees, but she knows what it’s like to take on the
    burden of duty and memory alone, so she invites Setsuna along to hang out with
    them.
  • (And as monster attacks start cropping up again, she makes
    sure Setsuna is able to sneak away quietly instead of transforming. There’s not
    yet anything they can’t handle on their own yet anyway.)
  • There’s a nice little subplot of Rei getting jealous of this
    new, beautiful older girl Minako is suddenly chummy with.
  • She swears she’s not jealous, she explains to Ami one night,
    it’s just that she used to be the one person Minako connected to, and now
    Setsuna’s new and shiny and she feels forgetten.
  • That’s jealousy, Ami says (she knows the feeling all too
    well), but what did you say about premonitions of doom?
  • Rei says it’s probably nothing. Ami takes note while Rei is
    focused on her definitely-not-jealousy.
  • Usagi, meanwhile, is causing Mamoru some
    definitely-not-jealousy as she spends time with a handsome stranger she met in
    a candy shop.
  • He of course doesn’t SAY anything, of course, but Usagi sees
    something is wrong and mopes around the karaoke bar trying to figure it out.
  • Mako has NO PATIENCE for Mamoru’s shit, so she barges over
    to his place to find out what’s wrong. He caves and she’s just like YOU’RE
    STUPID USAGI LOVES YOU. Also, I think Haruka is about as threatening to you as
    a teddy bear, she cries over every animal video Usagi shows her.
  • Oh, is all Mamoru can say, and then he pulls his head out of
    his ass.
  • We then get just fun scenes of the girls (including
    Setsuna!) hanging out with Haruka, trying on sunglasses, complaining about
    school, all the usual stuff. She and Mako play basketball. A good time is had
    by all.
  • Meanwhile, tho, the viewers get insight into the Death
    Buster’s plans. Tomoe and Kaolintie (the baddies are streamlined a bit) hatch
    daimons from various objects. They whisper about building up to hatching the
    most powerful daimon of all.
  • The daimons get more and more powerful, the girls fight more
    and more. One day they get attacked while hanging out, and in order to protect
    Haruka, Setsuna is forced to reveal herself. And when she transforms, she
    recognizes the hidden power of Uranus in Haruka.
  • The girls are surprised in the aftermath, but not shocked.
    Usagi is elated that both her new friends are senshi. She offers her hand to
    Haruka, eager to see her transform for the first time…
  • And is blown away by a blast of power.
  • “That girl will not become a senshi,” says a voice from the shadows.
    “You will not lead her down this path.”
  • The audience sees a shot of green hair, a glint of a mirror.
  • “We need her to awaken the messiah, should the need arise.”
    Setsuna says. She touches the garnet orb on her staff.
  • “Then the need shall not arise,” says the mysterious
    soldier. “If she is with you, she is protected, is she not?”
  • Haruka wants to join the fight, but something holds her
    back. And when she asks, later, Minako is honest. Duty is hard. Duty is
    painful. Whoever the mysterious soldier is, she is not wrong. Whatever reasons
    she has for protecting Haruka may be valid.
  • Rei, meanwhile, is not content to be left wondering. She
    goes to her fires with a question, and they give her an answer. The next day
    she tracks down the young heiress Michiru Kaioh.
  • “I know who you are,” she says, but Michiru does not falter.
    “And I know who you are, Mars. I know what you have seen. Pluto is wrong. When
    we three awaken we bring destruction. I will not let that girl face that.”
  • “What is she to you?”
  • Michiru freezes. “Everything. But I am nothing to her.” And
    she takes her leave.
  • There’s several episodes of Haruka agonizing and the girls
    fighting and Neptune watching from the shadows and Rei being weird about
    Setsuna and Minako and trying to decide if she’s relieved or more threatened by
    the fact that she’s a soldier.
  • And finally one episode ends with a scared little girl looking
    into Tomoe’s laboratory, with more ominous talk of The Most Powerful Daimon.
  • We follow this little girl, Hotaru, next episode, see her go
    to school and be picked on for being sickly, see her avoid going home. She
    meets Haruka, who asks if she’s lost. She says no, but when Haruka asks if she’d
    like to be walked home because it’s getting dark, she nods and takes her hand.
  • Of course, a powerful daimon attacks them.
  • Neptune appears seemingly out of nowhere to fight it. “Run,”
    she spits, and Haruka picks up Hotaru and tries but a second daimon appears. “Forget
    the girl and run!”
  • Haruka, of course, cannot, and if she cannot run, she must
    fight.
  • The power explodes out of her and she transforms. Michiru
    watches in despair.
  • Uranus immediately kills the monster she faces with her
    sword, and turns to make sure Hotaru is okay.
  • But Hotaru’s glowing purple, and in a voice not her own she
    demands the third. Where is it? She needs the third.
  • Michiru drops her transformation, and yells at Haruka to do
    the same. Hotaru returns to normal with no memory of what happened.
  • “The three of us must never be transformed in the same
    place,” Michiru says quietly. “Lest the messiah of silence awaken.”
  • “You don’t have to be alone though,”Haruka says. (She
    carries Hotaru, who has fallen asleep, on her back.
  • Michiru insists it’s too risky. She would rather Haruka stay
    safe, but Haruka smiles and says she’s in this now. She asks why Michiru cares
    so much, and she avoids the question.
  • All the senshi, minus Michiru, have a meeting in the karaoke
    parlor. Rei states what she knows, and so does Haruka. The incident with Hotaru
    worries Pluto. She explains that the three of them are supposed to call forth
    the holy grail, which empowers Serenity.
  • Usagi quietly says that every power that can do good can do
    bad just as easily.
  • It silences them all for a long moment. Then Haruka suggests
    that Hotaru seems troubled, and maybe the best option would be to find out more
    about what might be going on.
  • They form a plan. Ami signs up to be a tutor at Hotaru’s
    elementary school. She meets Hotaru, but learns nothing. Hotaru is troubled by
    bullying, that is clear, but there’s something deeper Ami can see but can’t
    define.
  • Then, without notice because she’s not one to be behind the
    scenes, MINAKO AINO makes a surprise visit to the elementary school! All of the
    kids go nuts, asking for autographs and songs, but Hotaru hangs back. Ami takes
    her chance and asks Hotaru what’s wrong. She’s been bullied too, she assures
    her, and she won’t tell anyone anything Hotaru says.
  • Hotaru is painfully ready to trust people. She tells Ami her
    mother died, but now her father has brought home a woman and the woman won’t
    leave. Ami nods, thinking it’s a stepmother situation, but then Hotaru whispers
    that they spend all their time in the basement laboratory, saying things that
    scare her, and sometimes she wakes up at night sure someone has been in her
    room.
  • There’s whispers in her dreams, words she doesn’t understand.
    Daimons. Does Ami know what a daimon is?
  • Ami lies and says no. As soon as she can, she takes out her
    phone and makes a call.
  • Haruka, luckily, knows where Hotaru’s house is from walking
    her home. The two of them expect to do a stealth attack (figuring there is no
    time to gether the others), but Kaolinite knows Hotaru has talked. She meets
    them at the door and announces they are too late.
  • She turns and shoves Hotaru forward, announcing the most
    powerful daimon is complete.
  • The wind rises around Hotaru. Haruka whispers that this isn’t
    how she went strange before.
  • Michiru runs past everyone, untransformed. As she is about
    to throw herself on Hotaru, Haruka grabs her arm. “What are you doing?”
  • “Killing the girl will save us all.”
  • “How can you say that? She’s a child.”
  • The fight is cut short by Hotaru hatching into Mistress
    Nine.
  • The being that was once the little girl Hotaru looks at her
    hands, shrieking with laughter at the joy of being alive. The sky darkens above
    her. She smiles before lashing out.
  • Michiru shields Haruka from the blow, looking so small in
    comparision to tall, transformed Uranus.
  • Mistress Nine knocks back Mercury, declaring them not worth
    the fight. She calls for Tomoe and Kaolinite, declaring that they must protect
    her, they’ve brought her into a body still to frail to handle her power. She
    cannot yet call Pharoh 90.
  • And then Hotaru collapses, a girl once again. Tomoe and
    Kaolinite take her up and disappear.
  • There’s a few quieter episodes. Haruka visits Michiru in the
    hospital, and Michiru confesses everything. How her visions had led her to
    Haruka, and while she’d already planned on stopping her from awakening, the
    more she watched, the more she wanted to protect Haruka’s smile. It wouldn’t be
    fair if Haruka had to face a soldier’s life. She never wanted Haruka to face
    down killing a little girl for the sake of the world.
  • Once she’s out, everyone comes together. Setsuna somberly
    announces her thoughts—based on what Haruka saw, Hotaru bears the soul of
    Saturn, the soldier of destruction. Michiru agrees, stating the extent of her
    visions. She’s seen that they are between a rock and a hard place—destruction by
    Saturn or destruction by Pharoh 90.
  • Setsuna sees things differently. Saturn’s power razes the earth
    as a fire might raze a crop, ensuring the soil is renewed so that it can grow
    back stronger. Destruction by the likes of Pharoh 90 is a plague, poisoning the
    earth so that nothing shall rise up in its wake.
  • They should awaken Saturn to force out Mistress Nine.
  • Minako agrees. Rei very emphatically does not. They have
    fought for their lives. This life. She’s not prepared to sacrifice it. She and
    Minako fall into old patterns of subordination and accusations of being bad
    soldiers.
  • Usagi stops them. They will awaken Saturn. But she will stop
    the destruction. She will not hear that it’s not how it works.
  • They draw out Mistress Nine once more, and this time she is successful
    in calling to her master. Pharoh 90 appears in the sky, slowly descending to
    consume the earth.
  • The soldiers worry they are too late, but they follow the
    plan.
  • The Outers all transform, and Mistress Nine begins to morph.
    There is a war inside Hotaru’s body, and Saturn wins.
  • She raises her glaive to reset, but Princess Sailor Moon
    steps up, blocking the glaive with her sword.
  • “I will not allow destruction of things I love.”
  • “You are too late. I will birth this world anew. I am
    destruction incarnate.”
  • “So was I, once.” Usagi fades into her regular Sailor Moon
    form. The Holy Grail appears before her, and she takes it. “We don’t have to be
    the things we were made for.” The grail opens and light washes over her. She
    has become Super Sailor Moon. “I destroyed my kingdom in pain, and I was wrong.”
  • “I am not motivated by pain, only duty.”
  • “A very good friend of mine felt the same, once. But she
    found out duty isn’t all there is.”
  • “There’s nothing else for me!” Saturn yells, sounding much
    more like Hotaru. “This is something I can do, this is the only thing that’s
    right!”
  • “No, we can do something else, together.” Usagi holds out her
    hand, and Hotaru takes it, just as she took Haruka’s hand before. Together they
    face Pharoh 90, the power of Super Sailor Moon lifting them up to meet him. They
    disappear to fight him from the inside.
  • Usagi emerges, the holy grail cracked in two at her feet,
    and Hotaru, once again an ordinary little girl, in her arms.

Mina: aw come on, it’s not fair to say you do all the housework! I always wash the dishes after we eat!

Rei: And I always wash the dishes after I pull them out of the cupboard and find they’re still dirty

Minako wants to bake. What does Haruka do?

Haruka is a fool. Misguided by her instincts, she thinks sugar and butter and chocolate can do her no wrong

But oh she is wrong

Baking is a science, and Mina has no cares for science. A little flour here, an egg cracked here, what is baking soda? Who knows she doesn’t need it to make good cookies

Haruka waits for the delicious treat she shall be rewarded for letting Mina in her kitchen, and instead gets 1 explosion, a small oven fire, the loss of three (3) oven mitts, and a large black hunk of dry dough with a sad chocolate drizzle on top

What do you think would happen if Haruka and Minako went out drinking

my wife insists that I include their opinion, which is “Haruka would cry, because she’s thinking of how attractive Michiru is”

which is, you know, right

but also them going out drinking 100% is Minako using snacks to bribe Haruka into doing stupid shit. Like “oh my god bro I’ll give you a brownie if you graffiti this walll with me” and drunk Haruka cannot resist a brownie. Luckily, drunk Minako CAN resist arrest, so they’re never caught.

also sometimes it ends in confessions they;d never make sober, their feelings about being senshi coming out honestly and just. all that kind of stuff that walls break down for at the end of a long night out.

Senshi crime AU

Michiru is the head of a high crime empire. Her personal interest is art theft, both for the thrill and because the masses do no deserve what only a true artist can appreciate.

Usagi is her secretary who is utterly clueless the business she works for is a front. Michiru has stopped expecting her to figure it out and counts it as a brilliant stroke of luck.

Ami was recruited after she was expelled from the medical community for extensive insurance fraud. While she can sometimes tend towards righteous, her hacking skills are invaluable to Michiru’s operation.

Michiru’s current recruitment target is Minako— a brilliant con artist it’s taken months to track.

What Michiru doesn’t know is Mina has no interest in crime that benefits the wealthy. She’s running a small Robin-Hood style operation (sometimes, she is the poor they are helping, but a girl’s gotta eat) with two bleeding hearts, ex-Yakuza Makoto and petty thief/street racer Haruka (the latter of whom she may have met while they were both running from the cops, Haruka had luckily been willing to take a passenger and had modified her car well enough that the police couldn’t catch them)

Meanwhile Rei is a fresh investigative journalist determined to make her name by blowing open Michiru’s operation, and she’s willing to cut a deal with the likes of Mina to do it

 @presidentnerd replied to your post “It’s always nice to think about the senshi having their fulfilling…”

-slams down your wall- Yes! Good. I live for this kind of shit. Minako never reaching that far off dream, always clawing towards it but never ever getting closer.

YES

And it hurts her all the more because it’s not because she isn’t good. She is. She SHINES on the local scene, people tell her pretty often that she should do bigger and better things.

But the bigger and better things never come. No matter how hard she tries, what connections she builds, how many auditions she sends in, nothing ever comes her way.

She is good, she is great, and it doesn’t matter. She only ever has what she can build herself.

It’s always nice to think about the senshi having their fulfilling dream jobs, but realistically speaking we all know Minako would be out here flitting through food service and retail while trying to land gigs beyond community theater and local bars, feeling the frustration and worry of “Is this what I’ll be my whole life?” because she was supposed to be GREAT

And you know she’s still okay and makes it work anyway, maybe she’ll end up in management and she’ll be the most glamorous retail manager ever because that is the Minako Aino way