I wish you would write a fic where Haruka gets lost

Oh man this brought back an old idea I had years ago and never wrote, so I ran with it a little.


There had to be something wrong with the map. Haruka slowed to examine it once again. This was supposed to be a scenic detour, just a reroute to show her more of the countryside as she passed through. But now her phone was dead and the sun was setting behind the ever thickening trees and she hadn’t seen a gas station or any sign of life for god knew how long.

According to the map, she should have passed two small towns by now.

She wasn’t lost. Haruka didn’t get lost. She had a great sense of direction and—

And her low fuel light was on.

Shit.

There had to be something around. She was not yet in the part of the country when she could go fifty miles without so seeing so much as a truck stop. She couldn’t have misread the map that badly.

And there it was— faint light glimmering like hope in the distance. She just had to make it there, and someone would help her, or at least let her charge her phone.

Her rusty pickup sputtered to a stop, but Haruka’s spirits were buoyant now. She sprung out from behind the wheel, locked it up, and jogged towards the light.

She slowed as she approached. It was an old-style mansion set into the trees, dark but for one window. Haruka could make out one stooped shadow through the curtains— that was lucky, old ladies often had a soft spot for her. Always wanted to feed her up, and she always needed it.

No one answered her knock at the door, but it opened at Haruka’s touch. If the poor old broad lived alone, she’d take time to make it down stairs. There couldn’t be any harm in just stepping in from the night. Haruka unlaced her boots and left them by the door. The floor was cold under her socks, but clean. Someone had to come to tidy, then. Maybe the old womans’ children. Haruka smiled at her idea of what went on. The old woman’s son came once a week or so to help out, but spent so much time cleaning the many rooms that the old lady felt lonelier than ever. She’d be delighted by Haruka’s unexpected company, she’d pinch her cheeks and promise her son, who had a bigger, nicer truck, could give Haruka a tow to the next town.

The thought made Haruka comfortable, so she began to explore while she waited for the lady to make it downstairs. Down the hall was a sitting room with a crackling fire. It bore only one chair. Haruka sat on the floor, feeling a slight twinge of sadness. Perhaps the old lady just hired someone to clean, and had no reason to expect anyone to sit and talk with her. She’d definitely be glad to have someone, but—-

Amidst the cracks and pops of the fire, Haruka heard a distinct slither.

She turned, thinking snake, thinking things that crawled in the night, the hair on the back of her neck standing at full attention, but there was nothing.

She may have imagined it. She turned back.

Something that was not a snake and was not any old lady rushed her from the shadows, lifting her by the shoulders and pinning her to the far wall.

It was like a snake, with a long tail and body that together were probably twice Haruka’s height, and it was like a woman also, though age was impossible to say. Hair hung limp in greasy green patches from its scalp. It’s skin was paled to gray and the contours of its face were exaggerated far past bony. The hands that held Haruka to the wall bore claws. Its eyes, though… There was something frighteningly human in its big blue eyes.

“What are you doing here?” Its voice was a raspy hiss. “No man may trespass upon my house.”

“I-I’m sorry.” Haruka’s heart beat so hard in her throat she could barely speak. “My truck broke down, I was just looking for some help.” She swallowed hard. “I can leave, but if you could point me in the right direction…”

The monster’s grip loosened. It looked over Haruka, giving her a sickening sense that she might be eaten.

“What’s your name?”

“H-Haruka.”

“No one has come here for a very long time.” The monster spoke slow now, so quiet Haruka could barely hear.

“I’m sorry, I—“

The monster dropped her. “You will stay.”

“Stay?”

It rose a hand, and in the distance, Haruka heard the door she’d entered through slam. “This place will give you everything you need, so long as you do not enter the northern chambers.”

Haruka stared at the tiling of the stone floor and tried to process. The monster thing was frightening, but the house was more than she’d ever had. Already she could smell foods she liked cooking in a far-off kitchen. Perhaps that should frighten her more, but if she couldn’t leave anyway… The only thing was Mina.

“Can I charge my phone?”

The monster blinked. “Can you… what?”

Haruka pulled out her phone. “My phone. I’ve got the charger, I just need an outlet.”

No sign of comprehension came across its face.

“Do you… have electricity here?”

“Oh, I’m afraid not. We… I am not new money like that.”

Well, the good news then, Haruka supposed, was it would only be a matter of time before Mina came to find her. A few days living in what was practically a palace, and then she’d be rescued. That was doable, even with something as monstrous as what stood before her.

“I can show you to a bedroom, if you would like.”

“Okay.” Haruka gathered herself from the floor.’

“The wardrobes will give you any clothes you desire,”the monster said, as though it was important. “As will the kitchens produce food.” It began to slither down a long hall. “Perhaps… we shall have dinner together, starting tomorrow. It is proper for guests to dine with their host.”

Haruka did not want to see what or how the thing ate, but she nodded along. It could kill her without effort, she was certain.

“Is this bedchamber to your liking?” it asked, opening a door and gesturing inside.

Haruka stepped over its tail to take a look. It was grand, just a touch below gaudy, with a faded red canopy over the bed and ornate carving on the frame and matching wardrobe. She would never choose it, but something told her there would be nothing more low-key.

“It’s fine.”

“Then I will take my leave for the night.” The monster turned down the hall.

“Wait.” Haruka’s own voice surprised her. “You never told me your name.”

The monster stopped, looking down instead of back at Haruka. “I am… I was the Lady Kaioh. If it pleases you, you may call me Michiru.”

“Okay.” Haruka swallowed. “Goodnight, Michiru.”

It— she, Haruka corrected— turned away quickly, a shiver running down her strange body. “Goodnight, Haruka.”

docholligay:

For the screen cap prompts, if it strikes your fancy

Anyone in her art classes who had heard her speak of a fondness for Monet’s Water Lilies would have laughed. How expected, they would think, how pedestrian to lavish affection on something so simple and common even a housewife might know it. 

But sometimes, that which was simple was loveliest of all, and she saw that in Monet, when she was eight years old at an exhibit. She stared at the painting that made her mother scoff, and she felt the calm of the blue and the violet washing over her, something centering and peaceful, a quiet relaxation she rarely knew, the buttresses and stone walls of her training and trimming gone, just for a moment. 

She had never known that feeling again, until she stood watching Haruka in the aquarium, a smile playing softly upon her face as she watched the fish dart in and out of the reef, her body not held at attention, but gently slumped, her shoulders down and her hands in her pockets, at perfect ease. 

There was no wall between them now, they no longer flew banners to amaze and impress the other, and so Haruka was not Proud Warrior Uranus, but simply a lanky young woman, straightforward and honest, a bit bashful at times, aching to be tender and slowly dismantling everything that would not allow it, brick by brick, in hand with Michiru. 

She was dazzlingly beautiful, in a way even Monet knew not of. 

“Oh,” she shrugged, “I feel most relaxed behind a steering wheel.” 

Simple and lovely. 

Michiru smiled teasingly, “How bold of you to assume I was speaking of the fish, you silly girl,” she turned, her hair flowing in the wind, giggling in true release, as if the bubbles of her own joy could not be contained. 

Haruka turned, and the the oils of true masterpiece painted a blush on her face.

Your Outers in PGSM was amazing! I had a thought. What if, to wrap a touch of R into S, *Michiru* was from the future? We never learn what the future is like or what happens, only that something went wrong? (And was it everything? Or was it *just* Haruka dying?) Most everything else stays the same, where Michiru is trying to save Haruka from herself and all that jazz. I actually had the thought when I saw your second part and hadn’t even seen the first yet but I think it could still fit.

AHHH I LOVE THIS YOURE A GENIUS

I have this image of Haruka dying as the world’s about to end and Michiru just grabbing a time key off Pluto and running. And she’ll sacrifice Haruka knowing her to save her. (And if it saves the world too well, that’s fine but it’s hardly her goal)

Ok this one is a lame au but the Outers show up in pgsm.

THIS ISN’T LAME THIS IS WONDERFUL TERRITORY AND I WENT
TOTALLY OFF THE RAILS, THE ENDING IS DISAPPOINTING BUT CHRIST I WROTE WAY TOO
MUCH.

  • I’m going to come from the second season angle, with the
    special act never happening. Also, I think there’s no Chibs in the PGSM-verse,
    because of Sailor Luna and also working in a world without the security of
    Crystal Tokyo is interesting.
  • So that puts us with a Pluto who has not known friendship,
    who never fought or died for a sweet little girl. She becomes Setsuna and
    everything is new, she gets to be with people for the first time.
  • Also, she’s aged down a bit. Only a little older than our
    main cast. She is so eager to befriend them and she doesn’t know how. And she
    knows she is supposed to be there to warn them, but she wants so badly to be
    loved by them that she frets over her approach and dreads their impression of
    her being such a bad omen.
  • Minako notices her, and confronts her, thinking she might be
    a fan going to far, showing up places they hang out and always looking a little
    too long. Setsuna transforms to assure her that’s not the case. She explains
    that there may be a time when additional soldiers are needed to destroy bigger
    threats.
  • She also asks that Minako keep her a secret from the others.
  • Minako agrees, but she knows what it’s like to take on the
    burden of duty and memory alone, so she invites Setsuna along to hang out with
    them.
  • (And as monster attacks start cropping up again, she makes
    sure Setsuna is able to sneak away quietly instead of transforming. There’s not
    yet anything they can’t handle on their own yet anyway.)
  • There’s a nice little subplot of Rei getting jealous of this
    new, beautiful older girl Minako is suddenly chummy with.
  • She swears she’s not jealous, she explains to Ami one night,
    it’s just that she used to be the one person Minako connected to, and now
    Setsuna’s new and shiny and she feels forgetten.
  • That’s jealousy, Ami says (she knows the feeling all too
    well), but what did you say about premonitions of doom?
  • Rei says it’s probably nothing. Ami takes note while Rei is
    focused on her definitely-not-jealousy.
  • Usagi, meanwhile, is causing Mamoru some
    definitely-not-jealousy as she spends time with a handsome stranger she met in
    a candy shop.
  • He of course doesn’t SAY anything, of course, but Usagi sees
    something is wrong and mopes around the karaoke bar trying to figure it out.
  • Mako has NO PATIENCE for Mamoru’s shit, so she barges over
    to his place to find out what’s wrong. He caves and she’s just like YOU’RE
    STUPID USAGI LOVES YOU. Also, I think Haruka is about as threatening to you as
    a teddy bear, she cries over every animal video Usagi shows her.
  • Oh, is all Mamoru can say, and then he pulls his head out of
    his ass.
  • We then get just fun scenes of the girls (including
    Setsuna!) hanging out with Haruka, trying on sunglasses, complaining about
    school, all the usual stuff. She and Mako play basketball. A good time is had
    by all.
  • Meanwhile, tho, the viewers get insight into the Death
    Buster’s plans. Tomoe and Kaolintie (the baddies are streamlined a bit) hatch
    daimons from various objects. They whisper about building up to hatching the
    most powerful daimon of all.
  • The daimons get more and more powerful, the girls fight more
    and more. One day they get attacked while hanging out, and in order to protect
    Haruka, Setsuna is forced to reveal herself. And when she transforms, she
    recognizes the hidden power of Uranus in Haruka.
  • The girls are surprised in the aftermath, but not shocked.
    Usagi is elated that both her new friends are senshi. She offers her hand to
    Haruka, eager to see her transform for the first time…
  • And is blown away by a blast of power.
  • “That girl will not become a senshi,” says a voice from the shadows.
    “You will not lead her down this path.”
  • The audience sees a shot of green hair, a glint of a mirror.
  • “We need her to awaken the messiah, should the need arise.”
    Setsuna says. She touches the garnet orb on her staff.
  • “Then the need shall not arise,” says the mysterious
    soldier. “If she is with you, she is protected, is she not?”
  • Haruka wants to join the fight, but something holds her
    back. And when she asks, later, Minako is honest. Duty is hard. Duty is
    painful. Whoever the mysterious soldier is, she is not wrong. Whatever reasons
    she has for protecting Haruka may be valid.
  • Rei, meanwhile, is not content to be left wondering. She
    goes to her fires with a question, and they give her an answer. The next day
    she tracks down the young heiress Michiru Kaioh.
  • “I know who you are,” she says, but Michiru does not falter.
    “And I know who you are, Mars. I know what you have seen. Pluto is wrong. When
    we three awaken we bring destruction. I will not let that girl face that.”
  • “What is she to you?”
  • Michiru freezes. “Everything. But I am nothing to her.” And
    she takes her leave.
  • There’s several episodes of Haruka agonizing and the girls
    fighting and Neptune watching from the shadows and Rei being weird about
    Setsuna and Minako and trying to decide if she’s relieved or more threatened by
    the fact that she’s a soldier.
  • And finally one episode ends with a scared little girl looking
    into Tomoe’s laboratory, with more ominous talk of The Most Powerful Daimon.
  • We follow this little girl, Hotaru, next episode, see her go
    to school and be picked on for being sickly, see her avoid going home. She
    meets Haruka, who asks if she’s lost. She says no, but when Haruka asks if she’d
    like to be walked home because it’s getting dark, she nods and takes her hand.
  • Of course, a powerful daimon attacks them.
  • Neptune appears seemingly out of nowhere to fight it. “Run,”
    she spits, and Haruka picks up Hotaru and tries but a second daimon appears. “Forget
    the girl and run!”
  • Haruka, of course, cannot, and if she cannot run, she must
    fight.
  • The power explodes out of her and she transforms. Michiru
    watches in despair.
  • Uranus immediately kills the monster she faces with her
    sword, and turns to make sure Hotaru is okay.
  • But Hotaru’s glowing purple, and in a voice not her own she
    demands the third. Where is it? She needs the third.
  • Michiru drops her transformation, and yells at Haruka to do
    the same. Hotaru returns to normal with no memory of what happened.
  • “The three of us must never be transformed in the same
    place,” Michiru says quietly. “Lest the messiah of silence awaken.”
  • “You don’t have to be alone though,”Haruka says. (She
    carries Hotaru, who has fallen asleep, on her back.
  • Michiru insists it’s too risky. She would rather Haruka stay
    safe, but Haruka smiles and says she’s in this now. She asks why Michiru cares
    so much, and she avoids the question.
  • All the senshi, minus Michiru, have a meeting in the karaoke
    parlor. Rei states what she knows, and so does Haruka. The incident with Hotaru
    worries Pluto. She explains that the three of them are supposed to call forth
    the holy grail, which empowers Serenity.
  • Usagi quietly says that every power that can do good can do
    bad just as easily.
  • It silences them all for a long moment. Then Haruka suggests
    that Hotaru seems troubled, and maybe the best option would be to find out more
    about what might be going on.
  • They form a plan. Ami signs up to be a tutor at Hotaru’s
    elementary school. She meets Hotaru, but learns nothing. Hotaru is troubled by
    bullying, that is clear, but there’s something deeper Ami can see but can’t
    define.
  • Then, without notice because she’s not one to be behind the
    scenes, MINAKO AINO makes a surprise visit to the elementary school! All of the
    kids go nuts, asking for autographs and songs, but Hotaru hangs back. Ami takes
    her chance and asks Hotaru what’s wrong. She’s been bullied too, she assures
    her, and she won’t tell anyone anything Hotaru says.
  • Hotaru is painfully ready to trust people. She tells Ami her
    mother died, but now her father has brought home a woman and the woman won’t
    leave. Ami nods, thinking it’s a stepmother situation, but then Hotaru whispers
    that they spend all their time in the basement laboratory, saying things that
    scare her, and sometimes she wakes up at night sure someone has been in her
    room.
  • There’s whispers in her dreams, words she doesn’t understand.
    Daimons. Does Ami know what a daimon is?
  • Ami lies and says no. As soon as she can, she takes out her
    phone and makes a call.
  • Haruka, luckily, knows where Hotaru’s house is from walking
    her home. The two of them expect to do a stealth attack (figuring there is no
    time to gether the others), but Kaolinite knows Hotaru has talked. She meets
    them at the door and announces they are too late.
  • She turns and shoves Hotaru forward, announcing the most
    powerful daimon is complete.
  • The wind rises around Hotaru. Haruka whispers that this isn’t
    how she went strange before.
  • Michiru runs past everyone, untransformed. As she is about
    to throw herself on Hotaru, Haruka grabs her arm. “What are you doing?”
  • “Killing the girl will save us all.”
  • “How can you say that? She’s a child.”
  • The fight is cut short by Hotaru hatching into Mistress
    Nine.
  • The being that was once the little girl Hotaru looks at her
    hands, shrieking with laughter at the joy of being alive. The sky darkens above
    her. She smiles before lashing out.
  • Michiru shields Haruka from the blow, looking so small in
    comparision to tall, transformed Uranus.
  • Mistress Nine knocks back Mercury, declaring them not worth
    the fight. She calls for Tomoe and Kaolinite, declaring that they must protect
    her, they’ve brought her into a body still to frail to handle her power. She
    cannot yet call Pharoh 90.
  • And then Hotaru collapses, a girl once again. Tomoe and
    Kaolinite take her up and disappear.
  • There’s a few quieter episodes. Haruka visits Michiru in the
    hospital, and Michiru confesses everything. How her visions had led her to
    Haruka, and while she’d already planned on stopping her from awakening, the
    more she watched, the more she wanted to protect Haruka’s smile. It wouldn’t be
    fair if Haruka had to face a soldier’s life. She never wanted Haruka to face
    down killing a little girl for the sake of the world.
  • Once she’s out, everyone comes together. Setsuna somberly
    announces her thoughts—based on what Haruka saw, Hotaru bears the soul of
    Saturn, the soldier of destruction. Michiru agrees, stating the extent of her
    visions. She’s seen that they are between a rock and a hard place—destruction by
    Saturn or destruction by Pharoh 90.
  • Setsuna sees things differently. Saturn’s power razes the earth
    as a fire might raze a crop, ensuring the soil is renewed so that it can grow
    back stronger. Destruction by the likes of Pharoh 90 is a plague, poisoning the
    earth so that nothing shall rise up in its wake.
  • They should awaken Saturn to force out Mistress Nine.
  • Minako agrees. Rei very emphatically does not. They have
    fought for their lives. This life. She’s not prepared to sacrifice it. She and
    Minako fall into old patterns of subordination and accusations of being bad
    soldiers.
  • Usagi stops them. They will awaken Saturn. But she will stop
    the destruction. She will not hear that it’s not how it works.
  • They draw out Mistress Nine once more, and this time she is successful
    in calling to her master. Pharoh 90 appears in the sky, slowly descending to
    consume the earth.
  • The soldiers worry they are too late, but they follow the
    plan.
  • The Outers all transform, and Mistress Nine begins to morph.
    There is a war inside Hotaru’s body, and Saturn wins.
  • She raises her glaive to reset, but Princess Sailor Moon
    steps up, blocking the glaive with her sword.
  • “I will not allow destruction of things I love.”
  • “You are too late. I will birth this world anew. I am
    destruction incarnate.”
  • “So was I, once.” Usagi fades into her regular Sailor Moon
    form. The Holy Grail appears before her, and she takes it. “We don’t have to be
    the things we were made for.” The grail opens and light washes over her. She
    has become Super Sailor Moon. “I destroyed my kingdom in pain, and I was wrong.”
  • “I am not motivated by pain, only duty.”
  • “A very good friend of mine felt the same, once. But she
    found out duty isn’t all there is.”
  • “There’s nothing else for me!” Saturn yells, sounding much
    more like Hotaru. “This is something I can do, this is the only thing that’s
    right!”
  • “No, we can do something else, together.” Usagi holds out her
    hand, and Hotaru takes it, just as she took Haruka’s hand before. Together they
    face Pharoh 90, the power of Super Sailor Moon lifting them up to meet him. They
    disappear to fight him from the inside.
  • Usagi emerges, the holy grail cracked in two at her feet,
    and Hotaru, once again an ordinary little girl, in her arms.

Harumichi flower shop AU

  • Okay so, backstory: Haruka and Mako met in foster care.
  • They were briefly sisters, and kept in touch. They
    understood each other, both considered delinquents, both a little too quick to
    throw a punch, both full of good intent. Mako had a knack for growing things,
    and Haruka liked to learn to do things with her hands.
  • They got through their teenage years planning how they could
    open a flower shop, saving money from weekend jobs and change found under
    couches, and it’s really Mako’s small inheritance from her parents that she can
    legally use at 18 that lets them buy a little place and get started, but they
    still feel proud. Haruka is handy enough to get their fixer upper in working
    shape, and then they’re on their feet and their combined talents mean they get
    by.
  • They build their reputation for years. Mako’s got a green
    thumb, and no matter the conditions they have beautiful blooms. (And if their clientele
    skews largely into the gay community it doesn’t hurt, they don’t advertise themselves
    as a gay shop but they’re a lesbian and a bi woman and people are comfortable
    and are you telling me you wouldn’t shop there?)
  • And once they book a few events, they get on the radar of
    higher class buyers.
  • That is how Michiru Kaioh comes through the door one day.
  • She is, perhaps unfortunately, looking for a break up
    flower. Something that conveys, “You’re getting too attached, so I want to cut
    things off cleanly, but not too cleanly because I want to keep you as an option
    and an occasional late night romp.”
  • But then Haruka turns from tending the soil to greet her and
    wipes her brow and Michiru knows she is not going to say any of that.
  • She makes up some reason to be there, she’d heard about the
    shop from their work at the gala, which was true, but doesn’t give her a reason
    to buy something.
  • But Michiru is not one to be defeated so easily. She has
    Haruka show her the most beautiful flower in the shop. She decides will buy it
    and give it to Haruka, and Haruka will be charmed and then Michiru will spirit
    her away to a night on the town, and they will have red wine and explore each other’s
    bodies and—
  • And Haruka works in a flower shop, Michiru realizes, and has
    no use for a flower of her own growing.
  • So when Haruka asks if she would like it wrapped, Michiru
    says yes, and with Haruka’s back turned she takes her leave before she can
    embarrass herself.
  • Haruka is left holding a rose and wondering about the
    strange, beautiful girl she met.
  • She looks for her at every event she and Mako do flowers
    for. (Not that there’s much chance, they’re in and out before anything starts.)
  • But one day, they’re commissioned to do flower accents for
    an art show, and who should the artist turn out to be?
  • She was hoping Haruka would forget and she could have a
    second chance to make a good impression. But Haruka remembers, and there’s a
    good bit of very awkward attempts at small talk, but then
  • BUT THEN
  • Haruka manages to choke out something resembling an
    invitation to get drinks sometime to learn more about each other, and Michiru
    manages some polite approximation of acceptance.
  • (Mako, on the other side of the room, loudly announces that
    It’s fine, she can do the arrangements on her own, no need to do your job
    Haruka just keep flirting)

And when the grandparents come to see the kids they’re always dirty but oh so happy as if Michi is trying to convey how much fun her childhood COULD’VE been. Also one of the kids expresses intrest in racing and cars and Michi does her best to make sure the kid can pursue that. She never forces her kids to do anything And bend with joy when they get top do all the things she never could do

Yesssss Michiru parenting is my big weakness.

And I definitely think it’s something Michiru struggles with, and sometimes fails a little. She wants her children to be happy, she wants them to be people instead of dolls that carry a family reputation, but she also wants them to be successful, and that means sometimes it’s hard to see her daughter failing things or even just being mediocre. She has to fight to say a B or a C is a fine grade and that of course her kid should try out for the basketball team even though she’s the shortest in the class and can barely dribble the ball. And it’s all the more meaningful for it, because she sees how her parents shaped her and she chooses to work to bring something different for her child.

(And it maybe helps sometimes that she can shove her kids’ happiness in her parents’ face)

I could totally see Michiru doing something like that though and i could see her scraggly taking Harukas name and milking it for All its worth. Everything is addressed “Mrs and Mrs Tennoh” she answers her own phone when her parents call with “Tennoh residence, other Tennoh speaking” and all kinds of just petty things cause Michiru is many things but being above petty she is not

I AM HERE FOR THIS.

Every event Michiru has to attend her name is always wrong on the list, which her parents intend as a way to not acknowledge the change but ALWAYS just ends up giving her an excuse to smile and say “Actually, it’s Michiru Tennoh now. We should be on the list as Mrs. and Mrs. Tennoh.” It always just draws more attention and puts her parents in the awkward position of everyone knowing they gave the wrong name for their daughter.

And when they have kids it’s SUCH a thing. Michiru’s family absolutely does everything they can to try and change her mind and give them the Kaioh name, because YOU CAN’T JUST CUT OFF YOUR LEGACY MICHIRU. (Though they are perhaps equally relieved and appalled that the kid(s) is/are a Tennoh when at age five they haven’t taken a single music/art/etiquette class and are fingerpainting in kindergarten like some sort of normal lower-class child)

sittingoverheredreaming:

You know, I wonder if since Haruka goes SO COMPLETELY OVER THE TOP for every celebration/holiday/whatever, Michiru has a hard time finding good presents/activities when it’s time to celebrate Haruka (especially early on). The class difference means that if she went all out, it would just make Haruka uncomfortable, but if she doesn’t go all out, she’s absolutely not living up to Haruka’s precedent

And sure we all like to buy into Michiru’s projection of knowing everything, especially people, all the time, but as a scared girl newly in love SHES GONNA STRUGGLE AND DOUBT HERSELF MORE THAN SHED EVER ADMIT

Yesssssssss

You know, I wonder if since Haruka goes SO COMPLETELY OVER THE TOP for every celebration/holiday/whatever, Michiru has a hard time finding good presents/activities when it’s time to celebrate Haruka (especially early on). The class difference means that if she went all out, it would just make Haruka uncomfortable, but if she doesn’t go all out, she’s absolutely not living up to Haruka’s precedent

And sure we all like to buy into Michiru’s projection of knowing everything, especially people, all the time, but as a scared girl newly in love SHES GONNA STRUGGLE AND DOUBT HERSELF MORE THAN SHED EVER ADMIT