awashsquid replied to your post “The Other Beginning”

I LOVE this. I never would have thought of Beryl being awakened this way, as an adult woman who had lived a whole life unknowing, only to be seeked out by Metallia and reawakened, but I’m enamored by it. I love that you made her a fervent ecologist especially because it fits so well, and I LOVE the nods toward the Moon Kingdoms harsh grip over the galaxy. This was great!!

Thank you! I love the idea of Beryl being SO CLOSE to being a hero, she does everything out of a desire to protect the planet, but she’s a little too willing to use any means necessary and she’s easily bent on revenge and striking back. (Interesting food for thought to me is would Serenity do any better were their situations and relationships to power switched?)

The Other Beginning

Just about 1K words, set a while before Sailor V awakens.


“No!” she yelled as yet another man in a stuffy suit shut
yet another door in her face. “You have to listen!”

But they never did. Hitomi Akeno was going to be an
environmental lawyer, and she would sue all of them someday, but someday was
too far away. The world was dying now.
So many people had the power to slow it, to stop it, but none of them would
listen to anything but money, especially not an overzealous college freshman.

She put her hands in her pockets and slumped back towards
campus. She’d run student groups and protests and read studies and talked to
professors, and none of it did anything. To see the planet suffering, and be
unable to save it—that seemed to Hitomi to be the worst tragedy that might
befall her. A tragedy that felt familiar, somehow, but not one she could ever
accept.

“Pardon me, but are you Miss Hitomi Akeno?”

Hitomi gave a start. The speaker was a woman in a crisp
suit, clipboard in hand, hair cut into a sharp bob that framed her face.

“Yes, how—“

“I was just heading to campus to discuss your work, but
perhaps we could talk here” She indicated a coffee house across the street.
Hitomi followed her inside, hope growing in her like a flame. Someone would
listen, finally. Someone wanted to hear her out.

The woman asked questions, and let Hitomi make her
long-winded answers. She let her go on about why she cared, the state of the
planet, everything that stood in the way of making change.

It took a long while for Hitomi to realize she had
questions, too, questions that she ought to have started with. “Why are you
interested in me?” she asked. “Who are you?”

The woman smiled. “I was wondering when we’d get here.”

Hitomi felt trapped, suddenly, even in the busy café.  She’d been too eager. She did not even know
what company the woman worked for, or if she worked for a company at all.

There was a glow in the woman’s eyes she could not be sure
was real or imagined. “This is not the first time you’ve made a futile stand
for your planet. But together, we could make it the last.”

“What do you mean?”

“Remember, Beryl, Queen of the fallen kingdom.” The woman’s
voice turned strange and deep. The glow of her eyes went red. “You must
remember.”

Hitomi stood, frightened, ready to leave, but then something
burst open in the back of her mind. She’d had dreams, as a child, of a kingdom
long past. A childhood in a different time. The flowers of a palace garden, the
boy she was beholden to marry. Her consort, her prince who would become her
king when they wed. They were stories that entertained her parents when she
spoke of them, they’d said she should be a writer before she outgrew stories
and turned to fight the injustices of the world.

But as she looked at the woman across from her she
remembered further than the dreams. They weren’t stories at all. She had been a
princess, and then a queen, of a kingdom that ruled the planet she loved. And
there were monsters from the moon who threatened to destroy it all, and they
were terrifying and they were beautiful and they took everything she had.

She remembered the boy and the man he became, a man
bewitched away from his planet by the witchcraft of a different princess. She
remembered running him through in battle, she remembered the pain of weighing
her love of her people and her planet above her love for him.

There was more, she was more, and her hands shook as she sat
back down.

“I am Metalia. You met me once before.”

She had, in that life. Hitomi put her head in her hands.
Details were fuzzy, but she remembered the power, being granted the ability to
strike back against the enormous power of the moon people.

“She is coming again to strike your planet down, that vile
princess of the moon.”

Hitomi dug her fingers into her skin. She wanted to save her
world. That’s all she ever wanted. This was her home. These were her people.

“Do you want to see everything you love brought to
subjugation at her feet?”

She remembered, in a flash of clarity, the princess in that
life, and her soldiers, careless with power, leaving a wake of destruction on
earth as easily as a deer left footprints in mud. No, she would not let that
happen again. She would win the fight in full this time, and continue to win
every fight she needed to keep her planet whole.

“What must I do?”

The woman smiled. “Awaken your generals and find the silver
crystal before it can be restored to the Moon Princess. Only then may we lay
her low and keep what is ours.” She offered her hand.

Before she could think any better of it, Hitomi shook it.
Power swelled within her. Once again she would be a warrior for her planet. She,
Queen Beryl, would rise victorious.

Metalia’s grip tightened. “All I ask in exchange is you give
me the crystal to destroy it.”

It hardly seemed an unfair price to Beryl. She wanted it
gone anyway. She would not let the Moon use it to steal away her victory.

“It’s a deal,” she said, just as she had in an age gone by.

And then the power was hers, and she would not be stopped.
Beryl stepped back out into the street, a person born anew. She breathed in the
spring air, felt the sun on her skin. She would protect this place. She would
make it her kingdom once again, and no one, not businessmen and senators
drowning in money, not Moon guardians bathed in power, could take it away from
her.

She took a flower from a bush as she passed. The thorns did
not prick her fingers—the planet knew its Queen.

Omg I totally agree what you said with the new myu songs. I think there are many songs there that are more like sung out dialogue than actual musical songs. It sometimes gave it the feeling that they were like “oh yeah, this was supposed to be a musical, umm, let’s make them sing this part instead of just talk.”

Yeah, I almost feel like the new myu had a script written out and then they looked to see what they could make songs, while the old myus feel like they had an outline that was mostly songs as the major points, and then they looked at how they could write scenes to make the songs work.

I think that’s why a lot the the new myu’s strongest songs are villain songs– that’s the easiest way to bring their motivations to the audience, and there’s no waffling over if they really want a song there.

This might be a hard question but as a whole which ones do you like more, the old Myu musicals or the new ones and why? I personally prefer the old ones.

Oh, old myu, hands down.

I think the new myus have their strong points, namely that they’re a bit more coherent and they do a lot of things that strike that THIS IS CANON nerve for me (like Beryl in armor and how they handled the animamates), and I consider Petite Etrangere to be pretty much perfect

But the old Myus were so fun! And they were a lot more than the same five stories we know with minor tweaks. I love the original stories, and I love that when they did the main 5, they almost always threw in major new elements (whether it’s Beryl, or Vampires, or FULL OUTERS CAST IN R).

ALSO THEY HAD BETTER MUSIC. The New Myus have some great hits, don’t get me wrong, but a lot of the songs feel kind of cut short. To me the old myus were so much about the music, and the new ones feel like the songs are almost an afterthought in a lot of cases.

I could go on and on, but yeah, old myus. I love the new myus (except for when I don’t, hahaha) but the classic myus are just iconic

Like the anime version of stars is super important BUUUUT everyone was handled so poorly and there’s so few scenes where any one shines ((though i must say, the Rei whistle gets me every time)). I actually have yet to watch the whole thing all the way through cause everyone is so OFF. It was handled so much better in the manga and the new musical, but then you have so little time with everyone and characters like the starlights are just so under developed. I love stars,but man…

This isn’t what you asked but if I had the ambition/attention span/commitment I’d love to rewrite Stars with the best of each version and new stuff brought in (I am married to the idea of Kakyuu being dead the whole time now)

Like, I was thinking today about how if you want Usagi to be reluctant to fight, and great way to bring that in is to have the central question of the season be “What do we fight for?” Usagi, if we keep the Nehelania arc, has just seen how EASILY the future she’s relied on having can be erased, and now Mamoru is gone again. How easily could she lose the others? Would it be better to stop fighting altogether? What’s the point of any of it?

And the question is different for the inners, who protect their princess and protect Usagi and see nothing else ahead of them sometimes, sometimes it feels like they’re just fighting so that they can fight another day. (We get some of this for Minako already, which I love.) For the outers, they fight for the world, supposedly, but the world barely has places for them. AND THE STARLIGHTS ARE INTERESTING FOILS TO BOTH. They fight to restore their world, to find their princess, and when they find out she’s gone they have to redefine everything.

And I think honing the season on one main question would give it the focus it needs for such a large cast. It also gives the Starlights a Reason to be there, besides “we need to sell more dolls.” They can represent the sol senshi’s fears that it’s all for nothing, and give their darkest thoughts something to bounce off of.

(I also think it could take Galaxia and the animamates to an interesting place, I love what LMF did with the animamates’ motives and getting into why Galaxia got where she is would be GOOD STUFF)

I love Stars but it sure did Usagi dirty, like

Season 1 Usagi: Can be lured into danger by the boy she loves and wants to save

Season 5 Usagi: can be lured into danger by cake

Season 1 Usagi: dislikes fighting but always comes through in the end, will run a dude over with a plane to protect others

Season 5 Usagi: No fighting, only healing

Season 1 Usagi: Does poorly in school but has other strengths and knowledge

Season 5 Usagi: Is oblivious to everything from current pop bands to what a fucking poet is

Season 1 Usagi: Puts her feelings and fears aside to avenge her friends and save the world, gives all she has to kill Beryl

Season 5 Usagi: LETS A MASS MURDER WHO KILLED EVERYONE SHE LOVED AND MOST OTHER LIFE IN THE GALAXY GO SCOTT FREE